At the start of The End of the F***ing World — a new
eight-part series now streaming on Netflix — James (Alex
Lawther), a blank-faced 17-year-old, tells us that he thinks
he’s probably a psychopath and that he’d like to kill someone.
In fact, he thinks he may want to kill this girl he just met,
Alyssa (Jessica Barden). But curiosity wins out over death
wish, and romantic attraction soon overtakes curiosity, and the
next thing you know, James and Alyssa are roaming around the
British countryside, committing crimes and trying to get in
touch with their feelings.
Based on a graphic novel by Charles Forsman, The End of the
F***ing World is the story of this emotionally restrained
couple’s misadventures, as they run away from their respective
homes and defy the law. The duo is in some ways a contemporary,
British version of the young couple Martin Sheen and Sissy
Spacek played in Terrence Malick’s debut film, Badlands
(1973), and like Malick, adaptor and co-director Jonathan
Entwhistle maintains a subdued tone in contrast to the
sometimes violent actions of its protagonists.
World starts out poker-faced, trying a bit too hard
for deadpan humor, as when James tells us via voice-over
narration, “I thought she could be interesting to kill,” and a
short while later, Alyssa tells us via voice-over narration, “I
kind of think I would fall in love with him. Also, he has a
car.” But as the story proceeds, James and Alyssa warm to each
other and we warm to them — they become people with emotions we
can recognize, rather than the heartless adolescents they like
to impersonate when they’re among adults.
World has some terrific set pieces, such as the duo’s
sloppy robbery of a gas station, and some dull patches, such as
a meeting with Alyssa’s father late in the series that almost
drags the story to a halt. But overall, James and Alyssa are
ultimately two people we care about, and Lawther and Barden
give exceptional, subtle performances.
The End of the F***ing World is streaming now
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